Americans for the Arts

Rob Schultz

I have this sneaking suspicion that if you ask a typical high school student to tell you what career choices exist in the arts, they would give “artist,” and “art teacher” as their two, and possibly only two, examples. Unfortunately, I think that too many young people are unaware of the myriad career options that center on the arts.

So, here’s a plug for enlightenment.

In my own experience, I’d never considered such a career until my bachelor’s degree days. A full-time student in need of multiple part-time jobs, I found a “student assistant” position in the office of my university’s art department helping professors and the dean, answering phones, handling routine administrative tasks, and doing word processing on a primitive, mid-1980s computer platform.

This initial foray led to a lengthy and satisfying career in arts administration.

This career has benefitted me in many ways, not the least of which comes from wonderful opportunities to work and interact with a wide variety of arts professionals. Many of these jobs I never dreamed existed back in my school days.

Take government work, for starters.

Sally Gaskill

In his post, Ron Jones takes on the topic of career development for art and design students. I thought I would check in with Angela Myles Beeching, author of Beyond Talent: Creating a Successful Career in Music, for her perspective on the performing arts. As she says, “It takes more than talent to succeed in music.”

Beeching, who has a DMA in cello performance, is the former director of the Career Services Center at New England Conservatory. She currently directs the Center for Music Entrepreneurship at Manhattan School of Music and maintains a thriving private consulting practice.

Q (Sally): I once heard the dean of a prominent school of music say that typical undergraduate music students do not start thinking about what they might do after graduation until the spring semester of their junior year. Then they panic. What’s your response to that scenario?

A (Angela): Part of it is a developmental process: undergrads are so busy fulfilling their degree requirements and figuring out how to become adults, that the reality of graduation does not start to get real until junior year. However, students at every stage have entrepreneurial project ideas. So, the earlier you can engage students in developing leadership and entrepreneurial skills, the easier it is for them to think about longer-term career goals and the action steps needed to fulfill their dreams.

Billie Jean Knight

I hold steadfastly to the perspective that students pursue an education, of which schooling is only a part, to discover their own inspired gifts and talents.

In the process, they develop a passion and commitment to achieve excellence as they master the communication, problem-solving, and technical skills to allow for a high-quality personal and work life.

However, too often our most inspired, creative, and visionary young people are derailed in their quest to discover and express their exceptional gifts in the context of life’s work because of the systemic discouragement at every stage of educational development.

The sad truth is that routinely governmental entities, communities, educators, and parents hold constrained paradigms that teach our young artists to fear, doubt, and worry about a choice to become a professional artist.

Mark Slavkin

As advocates for arts education, we try to stay flexible and timely in our rationale and arguments. We want to be current and relevant about the latest studies and trends.

If “21st century skills” are in vogue, we can show the relevance of arts learning. If the talk is about the primacy of science, technology, engineering, and math, we are quick to suggest we add the arts and make STEM become STEAM. And if the focus is on the economy and jobs, we stand ready to make the case for how learning in the arts prepares young people for a wealth of future job opportunities.

I worry that our advocacy and rhetoric may get ahead of the reality of our practice. Are we really delivering on all the benefits we promise?

While advocacy is essential, I wish we devoted as much time to sharing with each other about the nuts and bolts of classroom practice. Perhaps we could even display some humility about what we can deliver and what is not quite ready for prime time.

This brings me to the topic of careers in the arts. Our advocacy often refers to an economic imperative for arts education. Here in California we talk about the direct application of skills learned in arts education to jobs in the arts and the broader creative economy.

We also suggest that arts education cultivates a range of skills that will be valuable across all economic sectors, such as creativity, collaboration, and innovation.

Doug Israel

Most people these days would not disagree with the notion that the first step to a promising career, in any field, is attaining a high school diploma.

Sure, there are some well-known exceptions (see: Johnny Depp, Chris Rock, Peter Jennings, Britney Spears, and “Wendy’s” Dave Thomas), but good paying jobs are few and far between for those that don’t graduate from high school.

In fact, earning a diploma increases the likelihood of steady employment by 30 percent and cuts the chances of experiencing poverty in half. Despite this, today, in the United States, more than one million students across the United States drop out of high school each year.

The good news is that there is evidence from the field that shows that the arts can play a role in reversing this trend.

In several national studies over the past decade, students at risk of dropping out cite participation in the arts as their reason for staying in school. Research has also shown that arts education has had a measurable impact on at-risk youth in deterring delinquent behavior and truancy problems while also increasing overall academic performance.