I AM A MAN Plaza

PROJECT OVERVIEW

Title: The Marble Gates create a dramatic approach to the sculpture that is located at the center of the Plaza facing downtown Memphis, the direction from which most people will approach the Plaza adjoined to Clayborn Temple a National Historic Landmark.
Photo Credit: Jeremy Green
Lead Artist(s):
Cliff Garten

Description:

At a time when hierarchical monuments throughout the South are being removed for their racial overtones, this American Civil Rights Memorial combines sculpture, landscape, and poetry to create an interactive and educational experience inspiring future generations to stand up for social justice and positive change. I AM A MAN Plaza is a landscape sculpture commissioned to honor the members of the pivotal 1968 Sanitation Workers’ Strike and the legacy of Dr. Martin Luther King, Jr. A focal point of the Civil Rights Movement, the strike brought Dr. King to Memphis, Tennessee, in support of the Strikers, when he was assassinated. The I AM A MAN slogan came to represent the struggle for racial equality in Memphis and beyond. The Plaza rejoins this history to the people of Memphis and to the historic Clayborn Temple located next to it.

The artist led a design team and held an open dialogue with the greater Memphis community. Through a series of public workshops, they selected pertinent historical text and created an original poem which are etched into the marble gates defining the Plaza’s entry. The Strike’s timeline of events is carved into a large elliptical granite paving ring and the Striker’s 1,300 names are etched into the Dedicatory Wall framing the central sculpture. The block letters of the 12-feet-tall I AM A MAN sculpture are built of bronze on one side of the sculpture and mirror-polished stainless steel on the other side, reflecting the dialectical struggle for racial equality. The block letters are laser cut with the text from Dr. King’s last speech in Memphis. The combination of text and sculpture provide a place for reflection and discussion on America’s struggle and progress with racism and class inequity since the Sanitation Workers and Dr. King took their historic stand in Memphis.

PROJECT LOCATION

Memorial Site
Park
Plaza
Public Space
Outdoor plaza adjacent to Clayborn Temple located at 294 Hernando St, Memphis, TN 38126
Hernando Street
Memphis, TN
United States

click the map to enlarge
PROJECT TEAM

The City of Memphis, https://memphistn.gov/, Felicia Harris, [email protected]
Plough Foundation, http://plough.org, Courtney Leon, [email protected]
Lauren Kennedy, [email protected]
UrbanArt Commission, http://www.urbanartcommission.org
Kevin Maag, [email protected], Metal Arts Foundry, http://www.mtlarts.com/

James B. Durham, [email protected], Quarra Stone Company, https://www.quarrastone.com
Metal Arts Foundry, http://www.mtlarts.com/
Quarra Stone Company, https://www.quarrastone.com
JPA Inc, Steve Fox Poetry , Troy L. Wiggins
Landscape Architect of Record, John Jackson, JPA Inc., [email protected], Poets and Spoken Word Artists with Memphis Community, Steve Fox, [email protected], Poets and Spoken Word Artists with Memphis Community, Troy L. Wiggins, [email protected]
PROJECT DETAILS

Permanent
$1500000
Private
Public
Landscape, Memorial, Metalwork, Sculpture, Site integrated landscape architectural work
Bronze, Concrete/Masonry, Landscape/Envirnomental Art, LED, Light, Metal, Plant material, Stone
The Plaza is a series of linked sculptures consisting of a black granite Dedicatory Wall, 6’ high, Marble and Granite Entry Gates, 6’ high that transition into seating areas 18” high and die to grade to become a black granite Paving Ellipse carved with a timeline of 24 events that outline the Strike. Framed by the Gates, the Sculpture sits on a granite Pedestal in the center of the elliptical Lawn. The 12-feet-tall I AM A MAN sculptural block letters at the center of the memorial plaza are laser cut with the text of Dr. King’s “I Have Been to the Mountain Top“ speech and the open filigree allows the sculpture to become a beacon when illuminated from within at night. Two black granite Columns adjacent to Clayborn Temple form the entry to the Temple Walk and create a connection to the architecture of the Temple. Split from one large block the inside faces of these Columns are broken granite sides that face one another, implying the rejoining of Clayborn Temple to its Civil Rights history through this Plaza. The Plaza takes a minimal, but long range view with its planting. Primary to the planting plan are the Willow Oaks lining the back of the Dedicatory Wall, which will eventually form a 60-foot wall of trees containing the site and providing a backdrop and shade for the Plaza into the next century. Pink Muhly, Dwarf Fountain Grass, Mexican Feather Grass, Veriegated Liriope and Forsythia intermedia line the edge of the Plaza along Hernando St. and along the edge of Clayborn Temple.
2018
2019