This report examines the use of theatre as a tool and model for community development, both historically and in the present. It is based on a 1992 symposium organized by Cornell University and Roadside Theater.

CONTENTS-- Introduction. Five historical perspectives [Peter Jemison on the culture and history of Native Americans, William Branch on African American theatre from the 1820's to the 1950's, Robert Gard on the New York State Play Project of the 1920s and 1930's, Nicholas Kanellos on the history of the Hispanic and Latino theatre in the U.S. from its origins to the Depression, and Lorraine Brown on the Federal Theatre project of the 1930's]. Contemporary response [excerpts from small group discussions by theatre practitioners: Relationship to community, place and tradition; Barriers to doing the work and ways of getting around them; Community-based business and creative practices; Grassroots theatre as form of resistance; The interface with the nongrassroots [non-grassroots] culture and between those working at the grassroots; Evaluating progress and preparing for the future]. Scenarios. A matrix articulating the principles of grassroots theatre. Issues and concerns for further consideration. Appendix: Symposium schedule; Attendees; Bibliography.

This report examines the use of theatre as a tool and model for community development, both historically and in the present. It is based on a 1992 symposium organized by Cornell University and Roadside Theater.