The U.S. Bureau of Labor Statistics (BLS) reports that there were 2.55 million artists in the U.S. workforce in 2017—representing 1.6 percent of all workers 16 and older.

The entire U.S. arts and culture sector (i.e., nonprofit, commercial, education) was a $804 billion industry in 2016. This represents 4.3 percent of the nation’s Gross Domestic Product (GDP)—a larger share of the economy than transportation, agriculture, or construction—according to the U.S. Bureau of Economic Analysis. 

The arts are fundamental to our humanity. They ennoble and inspire us—fostering creativity, goodness, and beauty. The arts bring us joy, help us express our values, and build bridges between cultures. The arts are also a fundamental component of a healthy community—strengthening them socially, educationally, and economically—benefits that persist even in difficult social and economic times.

Local arts agencies—arts councils, arts commissions, cultural affairs departments—are an essential tool for community leaders as they rebuild their economies and promote social cohesion. The nation’s 4,500 local arts agencies (LAAs) support, present, and promote the dynamic value of the arts. Through their partnerships and leadership, LAAs are building healthier communities through the arts.

In this paper, Lyz Crane draws on the work of practitioners and researchers to characterize the field of arts-based community development in which arts and culture can help achieve place based change related to the physical, social, and economic dimensions of place.  From the premise that the existence of arts is considered a powerful end in itself, Crane then outlines the variety of ways that the actors and activities involved in arts and community development work can relate to and interact with each other to create sustainable communities.  Looking at the cultural ecology of

This one-pager is a summary of research by Americans for the Arts and others on the human and financial impact of the COVID -19-pandemic impact on the arts. Data current as of 5/122022.

Authors Robert J Shapiro and Siddhartha Aneja compiled the first-of-its kind analysis of nine online platforms that now produce income for nearly 15 million Americans. This report begins to detail the economic impact of this new creative economy, driven by innovators, makers, and online entrepreneurs.

The Performing Artist Companion to Animating Democracy’s framework, Aesthetic Perspectives: Attributes of Excellence in Arts for Change, offers ideas and insights to help performing artists and performance companies apply the framework to address their needs and interests.  Aesthetic Perspectives aims to enhance understanding and evaluation of creative work at the intersection of arts and community/civic engagement, community development, and justice. It offers 11 artistic attributes that elevate aesthetics in civically and socially engaged art,

This case study documents the pilot phase of Junebug Productions’ Color Line Project, a long-term national endeavor that combines performance and community story-collecting in an effort to revitalize Civil Rights Movement history as a valued and illuminating context for current issues of race. Using story circles methodology as a dialogue form, artist John O’Neal and a national organizing team worked over several months with local scholars, activists, and partner organizations to collect stories of local people's involvement in and understanding of the movement. Local

Coming to America: Immigrant Sounds/Immigrant Voices was a project of the American Composers Orchestra (ACO), exploring civic dialogue within the field of classical orchestral music.  Spanning ACO’s 2000–2001 season, the project centered around chamber music concerts and informances at schools and cultural centers in New York City, bringing immigrant and refugee composers and their music into communities, and immigrant and refugee communities into concert settings.  Through dialogue, the project sought to link the music of four immigrant or