George Patrick McLeer

As we sat down with our Congressmen this past March during National Arts Advocacy Day, one message kept coming out of my mouth, “In my community, we don't just 'fund' the arts, we use the arts.” I didn't arrive in Washington with that phrase in my mind. I didn't even think about it until after our “advocacy sessions,” the day before we visited Capitol Hill.

What alarms me the most about our annual trek to Capitol Hill is that our ask never seems to change— “We would like our Representative/Senator to support funding the NEA/Arts Education at this specific level.” We mention the ability to leverage the arts for economic impact, improve education, and make our lives more fulfilling, but at the end of the day we ask for money—either from the federal government or private citizens via tax policy shifts.

We need to stop asking for money and instead ask for a new vantage point.

Jess Kaswiner

On February 28, Emerging Leaders Network Chicago hosted a wildly successful panel conversation and networking event simply titled “Junior Board Mega-Mixer.”

Weeks before the event, we had over 50 RSVPs and 7 local sponsors, including Changing Worlds, Steppenwolf Theatre, Urban Gateways, Snow City Arts, Auditorium Theatre, Joffrey Ballet, and Links Hall.

Our dedicated ELN team worked swiftly to spread the word, sharing the event announcement via email, Facebook, meetup.com, and word of mouth. Participating panelists—including junior board chairs, general-body members, and representatives from sponsor organizations—weighed in on what it takes to incubate and sustain a successful junior board.

Below are seven key takeaways from this event, in addition to a few additional creative suggestions and how to host your own junior board mixer.

1) Efficiency is key – Young professionals are very busy between work, play, and volunteering. When planning your meetings, always send an agenda ahead of time.

2) Be nimble – Although your organization may have a very clear idea of what you want the organizational structure to look like or what type of events you want your junior board to plan, it’s important to first evaluate your capacity. As Dana Adams of Urban Gateways mentioned, “Think about the type of event YOU enjoy attending, and go from there!”

Since Americans for the Arts started the Creative Conversations program in 2004, in response to the feedback and initiative of the Emerging Leaders Council, the program has grown to serve over 50 communities and about 2000 individuals each year. Through Creative Conversations, we have witnessed the creation of strong local emerging leaders networks that still exist today, observed communities start a cultural or strategic planning process, and helped unify groups of people engaged in arts and culture to help spark dialogue, spur advocacy efforts, and create networking opportunities.

While the Creative Conversations program was initially created by and for the Emerging Leaders Network, we have seen and welcomed interest in the program from other networks and individuals as well. Having the structure of a national movement connected to a community’s grassroots initiatives can provide a framework and timeline for enacting a new project or bringing different groups of people together around a single issue.

This year, we are officially expanding the Creative Conversations program to invite and encourage individuals, organizations, and networks of all types to host an event, and engage their community around a cultural topic or issue that is of importance to them locally. You can view ideas for previous Creative Conversations here.

Kate Marquez

There is no question the arts are essential to build community in dynamic, lasting ways. However, arts organizations are constantly defending this concept. Unfortunately, in today’s economic climate it seems the best way to keep the arts alive is to attach monetary terms to their worth.

Southern Arizona Arts and Cultural Alliance (SAACA) has found there is more to gain than lose by venturing down this avenue and building lasting partnerships with businesses, for the sake of preserving art and supporting artists and musicians.

When local government funding was no longer available, due to budget cuts, SAACA turned to the business community to collaborate on events and programs. SAACA began to build arts-related partnerships, creating benefits for all parties that continue to unfold and grow. 

This past Sunday, actors, actresses, musicians, and other celebrity artists turned out to show their support for arts education at  P.S. Arts Express Yourself 2009.  This annual event brings out well-known artists such as Jack Black, Lisa Kudrow, and Steve Carell, among others, in an effort to restore arts education programs to all California public schools and to support P.S. Arts programs for students who don't have access to arts programs in their schools.  While celebrity artists certainly help spotlight the issue of arts education with their advocacy and willingness to speak up for the arts, you don't have to be famous to be an effective arts advocate.

Recently, Maryo Gard Ewell was visiting our Washington, DC offices speaking with the Americans for the Arts staff about the early history of the community arts movement in this country. Maryo shared a quote that I really connected to as I’ve been thinking about the upcoming 50th anniversary of the arts infrastructure in America and Americans for the Arts 50th Anniversary, both being celebrated in 2010. The quote is from singer/songwriter Harry Chapin, who was the keynote speaker at the first National Assembly of Community Arts Agencies (a previous iteration of Americans for the Arts) convention in 1979, and it went something like this,

“You (arts people) can't be the dance band on the Titanic…you must climb to the crow's nest and gaze out into the waters ahead. As the eyes and ears of America, we artists and arts activists and arts organizers must help steer the ship of America through the icebergs… so that all of us journey safely to the future."

The Americans for the Arts Half-Century Summit, our 50th Anniversary Convention, will take place from June 25-27, 2010 in Baltimore, MD. Registration has just opened for this unique convening that will both celebrate past success and envision the future of the arts, while also delivering the training, tools, and professional development that you need and expect from our Annual Convention. Eclectic, fun, and funky, Baltimore is the perfect setting for this distinctive convening that will celebrate the past, engage in the present and strategize for the future.

It’s that time of year again!  Creative Conversations and National Arts and Humanities Month are right around the corner.  Every October, in honor of National Arts & Humanities Month, Americans for the Arts partners with emerging leaders from across the country to host Creative Conversations—local gatherings and discussions that focus on pertinent topics from arts leadership to arts advocacy.  Last year, more than 1,500 emerging arts leaders participated in 43 locally hosted Creative Conversations throughout the country, and those leaders continue to be engaged at the national level.  In celebration of 2009 being the 5th Anniversary of Creative Conversations, the 10th Anniversary of the Emerging Leader Network and the 50th Anniversary of Americans for the Arts, our goal is to support communities in hosting at least 50 Creative Conversations this year.

Is someone in your community planning to host a Creative Conversation?  Are you considering it?  If so, there are a few easy steps to follow:

Every October, we help coordinate the country-wide celebration of National Arts and Humanities Month. Part of the month’s continued success is due to the partnerships forged among arts and other community groups that host exciting events during the month. This year, we are happy to have Art21 as an official partner of NAHM. Art21 is a nonprofit organization dedicated to increasing knowledge of contemporary art, igniting discussion, and inspiring creative thinking by documenting artists at work and in their own words.

As part of NAHM, Art21 invites you to participate in Art21 Access ’09, an international screening initiative of hundreds of public screenings and events for the upcoming fifth season of the Peabody Award-winning television series, Art:21—Art in the Twenty-First Century, this October before its premiere on PBS.

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Planning an Art21 Access event is simple and free for all participating venues. You can host your own event in collaboration with your local museum, library, arts council, university, community-based organization, or art space between September 28 and October 30, 2009.

We all know that joint-venture partnerships can yield many benefits. In hopes to spark more creative partnerships, here are some interesting partnership examples formed with arts organizations around the country. Some are likely partnerships between arts organizations; others are “unlikely” partnerships, which sometime can often bring in new audiences.

Success, of course, depends on each partner’s willingness and ability to live up to its part of the bargain.

Public Art In Detroit Benefits Community and High School Students
A dozen or so west side high school students created a mural on a three-story-high exterior wall of a vacant building in Detroit’s Brightmoor neighborhood. The project, Detroit Neighborhood Arts Corps, provides high school-aged artists with the opportunity to give back to their communities through the creation of public art. The College of Creative Studies (CCS) project was funded by the Skillman Foundation. This project probably solves two problems, it brings arts education to public schools which may have cut art programs and it brings public art to an under-served community.