May 2014 Blog Salon
May 2014 Blog Salon
A Call for a Shared Digital Town Square
May 2014 Blog Salon
3 Ways that Open Source Can Radically Transform the Arts
May 2014 Blog Salon
Archive Shout Out: The Hemispheric Institute of Performance and Politics
May 2014 Blog Salon
Performing the Archive and Building Community In Real Time (Part II: Learnings)
May 2014 Blog Salon
Setting the Stage for Future Change: A Response to Jamie Haft’s Blog Post
May 2014 Blog Salon
Toolbox as Documentation
May 2014 Blog Salon
Performing the Archive and Building Community In Real Time (Part I: The Story)
May 2014 Blog Salon
Documenting Community-Based Arts and Funding Inequities
May 2014 Blog Salon
The History and Importance of Oral Documentation and Storytelling
May 2014 Blog Salon
Where is the Archivist in Community Archiving?
May 2014 Blog Salon
Five Misconceptions about Documentation, Archiving, and Communication in the Field of Community Cultural Development
May 2014 Blog Salon
Back to the Future: Where Our Conversation about Documentation and Archiving Began
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Jamie Haft
Advancing Social Justice through Documentation and Archiving
Posted by May 19, 2014
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Jamie Haft
A call to action is what has emerged for me from Animating Democracy’s vigorous blog salon, Back to the Future: Forward-Thinking Documentation & Archiving. Imagine an organizing effort to achieve Reverend James Lawson’s founding statement of principle for the civil rights movement’s Student Nonviolent Coordinating Committee: “a social order of justice permeated by love.” Do documentation and archiving come to mind as essential to building a movement? Reading the insights from all the thoughtful writers in this blog salon, I am happy to say, yes!
The work of documenting, archiving, and communicating about the field of community cultural development is a political act. This context encompasses and gives meaning to the five debunked misconceptions about archiving and documentation in my opening post.
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Jan Cohen Cruz
A Call for a Shared Digital Town Square
Posted by May 19, 2014
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Jan Cohen Cruz
Jamie Haft names in her blog initiating this series on Documentation, Archiving, and Communication the misconception that the Community Cultural Development (CCD) field needs “a central digital town square.” While I, too, recognize the value of multiple platforms publicizing stories, news items, essays, manifestoes, et al, for diverse CCD constituencies, we risk bifurcating the field if all communication reflects separate siloes. I propose the additional creation of a CCD Reader -- shaped along the lines of the Utne Reader, a publication that “combs the alternative, independent, and digital press for thoughtful journalism, artful storytelling, and emerging ideas.” A CCD Reader could serve as a commons for the regular exchange of ideas across our habitual groupings. To generate such a “digital town square,” we could, say once a year, cull from the multiple publications representing different CCD threads to produce one set of pieces valuable to us all.
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Ms. Barbara Schaffer Bacon
Archive Shout Out: The Hemispheric Institute of Performance and Politics
Posted by May 16, 2014
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Ms. Barbara Schaffer Bacon
Check out the Hemispheric Institute Digital Video Library – a digital video library of performance practices in the Americas. Created in partnership with NYU Libraries and with the support of the Andrew W. Mellon Foundation, this growing repository guarantees historical preservation and free online access to more than 600 hours of video that explores embodied practice—performance—as a vehicle for the creation of new meaning and the transmission of cultural values, memory and identity.
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Vijay Mathew
3 Ways that Open Source Can Radically Transform the Arts
Posted by May 16, 2014
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Vijay Mathew
Open sourcing—otherwise known as “commons-based peer production”—is a model for the production of cultural and material products and activity. It is most well known outside of the arts as a successful collaborative model for producing software since the advent of the web more than twenty years ago. The goods that result from an open source endeavor belong to “a commons” and are accessible to all.
A key characteristic of an open source product is that it cannot be privatized. Privatization defines value through artificially induced scarcity and then derives money from barriers to access. Value in an open source project, however, is defined by how successful the needs of a community are being met and by the project’s ability to enable continuous innovation and evolution due to its openness and accessibility. Open sourcing is a civic good and a process for re-organizing communities and social dynamics. In many economic and cultural contexts in which we inhabit, open sourcing is counter-cultural. In terms of its value system and world-view, it’s a perfect match for what many people feel the not-for-profit sector should aspire to.
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Andrew Horwitz
Performing the Archive and Building Community In Real Time (Part II: Learnings)
Posted by May 15, 2014
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Andrew Horwitz
It was close to seven years after we launched Culturebot.org when my colleague Jeremy M. Barker joined the effort, and I had the time to begin more clearly articulating how the site functioned as community archive and platform for discourse. Rather than recapitulate the entire narrative, I will share some insights from my experience:
1. Positioning the Archive
Culturebot’s essential point of difference is positional. Since Culturebot.org originated at Performance Space 122 (P.S.122) –a hub of community - and because it has always operated from within that community of artists, it has never been positioned within either journalism or academia. Insofar as capacity and resources have allowed, Culturebot has been a collaboratively created, community-supported archive to promote a variety of perspectives and complexity of critical discourse. Even as it serves as a dynamic social map enabling a community to self-define, Culturebot is also meant to serve a critical function - to allow dissent and support voices that may otherwise be ignored.
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