103102
The Stairway to Dance Innovation
Sometimes the inspiration for a sensational idea can be as simple as looking out your window and seeing a city on the rise. For Bobby Wesner, co-founder and artistic director of NEOS Dance Theatre, the city of Akron, Ohio, and its upward trajectory served as seed for his highly imaginative concept: “Akron Ascending, an Identity in Dance.” Preparing site-specific works on iconic staircases throughout downtown Akron to develop an ongoing public conversation between artists, dancers, and space was so out-of-the-box inventive, it earned him a win from the Knight Arts Challenge in September 2019. With a prize of $30,000, Wesner plans to turn his idea into reality by hiring dancers, researching interesting and appropriate staircases, and running social media and advertising campaigns to invite the public.
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103100
Creative Conversations Take on National Arts & Humanities Month
Creative Conversations are on fire! This year’s Creative Conversation theme, How is the past shaping the future of the arts?, is sparking dialogue across the country. So, you may be asking yourself, “What exactly is a Creative Conversation anyway?” Well, I’ve got an answer for you! Creative Conversations gather together arts and community leaders to discuss local arts, culture, and creativity. These conversations help to foster cross-sector and inter-sector partnerships and promote increased energy around the grassroots movement to elevate the arts during National Arts & Humanities Month (NAHM) in October. Creative Conversations can take on many forms. They can be informal brown-bag lunches with colleagues, professional development workshops, panel sessions with politicians, and even full-day symposia. Participants have learned about the state of their local arts and culture industry, explored new ideas to strengthen their community with the arts, and ignited connections that spurred movement and actions that work to ensure everyone has access to the transformative power of the arts.
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103095
Children living in shelters find a caring, nurturing place at Magical Theatre Company
You never know when that “aha” moment might strike. For Magical Theatre Company in Barberton, Ohio, it happened 22 years ago when co-producing director Holly Barkdoll walked across the street prior to a performance to get change for the box office. Always inside the theater readying for performances, she never really saw the people coming to their shows, so she was surprised to find a line of people wrapped around the building. How wonderful, she thought, that the show was going to sell out. But then she realized that the line actually was going to the building next door—a local soup kitchen. At that moment, it struck her: while some families were waiting in line to see a play and be entertained, others were just trying to survive and find a meal. That moment inspired her and her husband, co-producing director Dennis O’Connell, to use their theater as an outreach to help disadvantaged children in Northeast Ohio.
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99866
UPDATED! Top 10 Reasons to Support the Arts for National Arts & Humanities Month
October is National Arts & Humanities Month, a time to celebrate and champion the arts locally and nationally. The arts are fundamental to our humanity. They ennoble and inspire us—fostering creativity, goodness, and beauty. The arts bring us joy, help us express our values, and build bridges between cultures. The arts are also a fundamental component of a healthy community—strengthening them socially, educationally, and economically—benefits that persist even in difficult social and economic times. The effective arts advocate needs a full quiver of case-making arrows to articulate the value of the arts in as many ways as possible—from the passionately inherent to the functionally pragmatic. To help fill your quiver, I offer an updated Top 10 Reasons to Support the Arts.
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103082
Why I Support the Arts: Carrying on a Rockefeller Family Legacy
My grandfather, David Rockefeller Sr., founded the Business Committee for the Arts in 1967 with a mission: to inspire business leaders to support the arts in the workplace, in education, and in the community. He believed that when businesses partner with the arts, it facilitates a mutually beneficial and inspiring collaboration. Today I carry on the philanthropic traditions and values exemplified by my grandparents by recognizing a responsibility to be an active and engaged participant in the community, both at home and globally. I am honored to be presenting Gensler and Access Gallery with the David Rockefeller pARTnership Award at the 2019 Arts and Business Partnership Awards on October 3.
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103087
Welcome to National Arts & Humanities Month!
It’s officially October, which means National Arts and Humanities Month has arrived! We’re excited to have you with us for the largest annual celebration of the arts and humanities in the nation. NAHM is coast-to-coast recognition of the importance of arts and culture in the United States. Launched by Americans for the Arts more than 30 years ago as National Arts Week, this celebration began in honor of the 20th anniversary of the National Endowment for the Arts and the tremendous work that they have done in every congressional district across the country. In 1993, the week was reestablished as a month-long celebration, and we want you to get involved! We’ve worked hard to make participating in NAHM easy for you. Read on for ways that you can be involved as an individual, an organization, or a community, including joining in our special NAHM events, and for inspiration from communities across the country that are celebrating.
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103081
Business Spotlight: CEO Shares the Language of Music
I am both a businessperson and an artist, which helps expand my perspective and set my business apart. The challenge, on the business side, is that because profit motive is the driving force, the most creative work often doesn't receive the recognition or appreciation it deserves from businesses. The tendency for most businesses is to stick to a proven, profit-driven formula. I'm not saying that profit-driven formulas are wrong, but we should also be allowing room for creativity, innovation and growth—not just in the arts, but in every aspect of business. Businesses should want to hire creative people, people who can create solutions without predefined answers. We need businesses to understand that the arts can and will help them achieve their objectives—even if those objectives are not always related to the arts. We need to frame the arts in a way that businesses can find value in them as well. Having this business background helps me be a better advocate for the arts.
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103060
Creativity Untethered at Burning Man
I count myself incredibly lucky to have been able to tour to Burning Man thanks to the good graces and coordination of the Reno Arts Commission, the U.S. Conference of Mayors, and Burning Man itself. I was part of a group that primarily consisted of mayors and their staffs from across the country, as well as Nora Halpern, my colleague here at Americans for the Arts, and Mary Anne Carter and Tom Simplot from the National Endowment for the Arts. We were there to experience first-hand the deep community nature of Burning Man; the ways that art, creativity, expression, and culture are solidly integrated into every aspect of the event; and the complex undergirding that makes it all possible. There is freedom in coming to a temporary city to transform yourself into a different, freer version of you. That freedom exists in the way people dress, the way they act, the art they make. It is creativity untethered—70,000 people rolling back all of the strictures that keep us who we are in the day-to-day.
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103051
How Hospital Art Collections Became Very Personal
My son, Odin, surprised me and my husband at birth with a rare genetic syndrome—Treacher Collins Syndrome (TCS). It affects the development of the bones and soft tissues in the face. Most affected individuals have underdeveloped facial bones, very small jaws, cleft palates, and no outer ears. Odin was rushed to Children’s Hospital Colorado on his 3rd day of life; his stay lasted for three months. I am not going to sugarcoat it—those three months were hard. I witnessed my son undergo two intrusive surgeries. For days I couldn’t pick him up and hold him. I had to put away his layette and my going-home outfit I had packed before his arrival. I gave away my nursing clothes. His nursery at home sat empty. Our own home became a truckstop—a pass-through for us to rest and eat. We practically lived at the hospital. Pablo Picasso once said, “Art washes from the soul the dust of everyday life.” If that’s true, my soul during those three months was covered with the thickest mud.
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103048
Public Art, Gentrification, and Annual Convention: A Photo Essay
When I was awarded a Practicing Artist Scholarship to attend this year’s Americans for the Arts Annual Convention in the Twin Cities, I was eager to find myself surrounded by other fervent promoters of the arts in individual localities from around our nation. I did find impassioned people, but I also found that an inner conflict of mine has deepened: As an artist, I’m not sure that I should be involved in this effort to fund and execute public art. This notion has danced in and out of my mind for the last few years, particularly regarding the role of artists and public art on the negative effects of gentrification and the affordable housing crisis. During the conference, I felt the tension between my excitement about increased federal spending on the arts and my skepticism that those monies will be used on careful, conscientious policymaking that allows for neighborhood improvement without giving in to the seemingly ubiquitous phenomenon of displacement. Rather than answers, I have come away with more questions. How is public art involved, whether inadvertently or directly, in the pushing out of low-income residents, minoritized groups, and even artists themselves? And how are artists implicated in this process?
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103046
Inclusion and Accessibility for Performers With Disabilities
Many performing arts groups and venues are working towards inclusion of their whole communities—both on-stage and in the audience. Today we’re beginning to see special performances and additional accommodations for audience members with disabilities. This movement towards inclusion can include toned-down lighting, sound, and special effects to accommodate people with autism. It may involve sign language interpreters and captioning devices to assist deaf audience members, or large type or Braille programs and audio descriptions on headphones for a deeper understanding of what is happening on stage for those with vision challenges. But inclusion doesn’t stop at the audience. It includes the stage, as well.
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