99072
Women’s Leadership in the Non-Profit Theatre: Continuing Actions to Shift the Perception
Women have never held more than 27% of leadership positions in American non-profit theatre. Why? In a field in which “representation” is important to the stories we present to the public, the persistent underrepresentation of female leadership is puzzling and problematic. A 2013 research study was able to unravel some of the reasons behind leadership gender imbalance through a multi-informant and multi-method design, which made clear that the issue is not a pipeline problem. There are sufficient numbers of women in next-in-line positions in the field. Action plans that address this “glass ceiling” need to be developed to correct the disparity and will be explored at the pilot Berkshire Leadership Summit in October 2017.
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99071
The Moment in the Movement—Art, Advocacy, and Activating Personal Mission and Vision in this Very
As members of the third sector, our purpose is to empower, enfranchise, and capacitate the people of this nation, regardless of origin or other socially constructed dimensions. No matter the federal priorities or administration in power. Serious work must always be done. Now is not the time to be humble about the power of our work, nor the time to equivocate impact. Now is moment we live our missions!
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99069
Where is a Young Feminist’s Place in the Arts? (Trick Question. Answer: Anywhere and Everywhere!)
Arts organizations are very often predominantly staffed by women, but unfortunately this does not eradicate the centuries of patriarchal approaches that block us from allowing equity for all. In the broader non-profit sector, executive roles and boards are often filled by male candidates who keep their posts until retirement. “Top-down” leadership and a competitive spirit that rejects collaboration or promotion of others’ achievements are other examples of this obstruction. Feminism and activism are just as important as ever in our current political climate.
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99060
Cultivating the Next Generation of Diverse Arts Leaders
All children deserve access to quality arts programming, which means that we must not only support in-school arts education programs across the board, but also prioritize schools in low-income neighborhoods and community-based organizations that specialize in mentoring these students outside of school. Serving every student also means providing culturally relevant and economically accessible opportunities in the arts for the overlooked and under-resourced youth between the ages of 14 and 18, especially if we are to create effective pipelines of leadership in the arts.
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99058
Investing in Leadership Development
Having worked with arts organizations both large and small, I have learned that it is the leaders at the grassroots level who actually represent and reflect the diverse communities that their programs and organizations aim to serve. Meanwhile, the larger institutions—such as museums, operas and symphonies—are facilitating conversations around the need for greater diversity in arts leadership, but most have not yet overhauled their own practices for cultivating diverse leaders. The arts field needs to invest in developing the necessary leadership skills of emerging professionals whose marginalization is keeping them out of the running for leadership positions at larger arts institutions.  
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99057
Justice-Seeking Super Robot Takes on Arts Education; or, How I switched from a deficit mindset to
Instead of entering a community as a teacher and bringing a prescribed text or curriculum, I would enter as a learner. I needed to value the community and learn from them. I needed to connect with my students—to see their stories and experiences as equal to my own. To see my students for more than their perceived needs. I needed a new approach to arts education. So, I scanned the literature, and I found an approach that works with, and values, oppressed groups. It’s called an asset-based arts education, and it works in solidarity with the community. It is mutually beneficial and builds social capital.
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Asking for a raise is awkward. But it doesn't have to be.
As an emerging leader in the arts, have you ever felt stagnant in your job? Are you struggling with feeling undercompensated? Love what you do and where you work, but don’t feel able to ask for the raise that you deserve? These are common challenges facing many emerging leaders in the arts. They lead to burnout, young professionals leaving the arts altogether, or perpetuate the high turnover rates that many small and mid-sized arts organizations experience. Even though asking for a raise is uncomfortable and intimidating, it’s an important and necessary communication skill to cultivate.
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99055
Are Internships Building the Leaders We Need?
Today’s emerging leaders will need to be proficient, savvy, self-aware, and boundlessly resilient in order to meet tomorrow’s challenges; and yet, the long-term value of the short-term internship model appears to vary by organization and pupil. What makes an internship meaningful and worthwhile for both parties? Does a traditional internship model facilitate learning that extends beyond specialized proficiency to include strategic thinking, a value for cultural equity, and adaptive processes?
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99054
Playing the Long Game: Developing our Future Board Members
After years of playoff failures, Sam Hinkie, the Philadelphia 76ers general manager, decided to stop focusing on winning now. In fact, sometimes he made an active choice to start losing. Why? The worst teams in the NBA get the highest probability of top draft picks, and he was going to build a dream team, one player at a time. Hinkie and the 76ers were playing the long game. Arts organizations can have a similar problem. Some organizations in our sector struggle to make balanced budgets, and while we’re producing thought-provoking, life-changing art for our communities, our financial situation can be squarely mediocre. So I, too, am playing the long game. Fortunately, it doesn’t involve losing at all.
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99053
The leadership pipeline: A core responsibility
It is obviously unfortunate when talent, out of necessity or frustration, leave the field for higher paying jobs with more responsibility and/or agency. The brain drain on the field, as with any field, is problematic as it not only makes the next generation of leaders more elusive, but takes away the change agents that could help create a better environment. There are steps we can take now—as in today—within our organization to make the situation better. We can make a better arts field.
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99052
Community Leadership from the Inside Out
Berkshire County in western Massachusetts is an incredibly rich place for the arts. It contains such a critical mass of artists, arts institutions, and arts resources that in 2016 the county was named the 12th most arts vibrant small- to mid-sized community in the nation by the National Center for Arts Research. With this abundance of creative activity comes a necessity for arts leadership, although here, these positions aren’t reserved for executive directors and upper management of large institutions. A new generation of community arts leaders in North Adams is surfacing as junior employees and other non-executive workers are beginning to cultivate leadership roles outside of work.
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