Americans for the Arts

Katrina Daniels is the Exhibition and Gallery Sales Director at the Lansing Art Gallery and Education Center, which provides public awareness, education, and enjoyment of the visual arts by promoting the works of Michigan artists. Katrina coordinates exhibitions and public art programming working directly with artists to increase engagment between them and the Lansing community. Katrina is a co-founder of ARTpath, a program developed by the Gallery and the City of Lansing to bring artwork out of the traditional gallery setting and into the public realm. ARTpath offers more accessible opportunities for the community to engage with the work of Michigan artists. Our Member Profile series features the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more. An Americans for the Arts Membership connects you with this network of more than 6,000 arts leaders and gives you access to latest professional development and research.

As the 2020 election gets closer and many voters are already voting by mail or in-person, arts organizations around the country are doing their part to help voters make their vote count. This election is crucial to electing leaders at each level of government who will ensure that funding for the arts is protected and accessible for all. In this month’s Member Briefing, Americans for the Arts members Sheila Smith, executive director of Minnesota Citizens for the Arts, and Nate McGaha, executive director of Arts North Carolina, discussed using the arts to Get Out the Vote. They shared their experiences conducting voter outreach in their communities including their candidate forums, messaging about important voting deadlines, and partnership with other local, and national organizations including ArtsVote. If you missed the briefing live, a recording of the event is available now on ArtsU. Member Briefings are our quarterly opportunity to talk to you about what’s happening now, so mark your calendars to stay up-to-date on what’s happening at Americans for the Arts and across the sector. 

When you think of MBA coursework, you think of core classes in marketing, finance, economics, operations, decision sciences, strategy, and so on. You don’t think of color theory, collaborative drawing, or watercolors. But at the Kellogg School of Management at Northwestern University, we do. Unlike traditional business schools that collect and present art, we make it. In addition to core curriculum that encompasses fundamental business areas, for the past two years Kellogg has offered students an opportunity to participate in artist-led, hands-on workshops that focus on a variety of arts-themed topics. I attribute the success and popularity of these workshops to filling a much-needed void in MBA curriculum—one that stimulates the right brain, which supports creativity and intuition. Exercising these functions encourages important skills for aspiring business leaders. Interactions with art develop observation, collaboration, communication, narrative building, and critical thinking skills. They also emphasize empathic thinking, creative ideation, implicit bias awareness, and recognizing the nature of objectivity/neutrality. Leaders are made and trained, not necessarily born. Exercising empathy, knowing how to communicate effectively, and having the ability to think creatively through complex issues all help leaders manage effectively. 

Kathy Hsieh is the Cultural Partnerships and Grants Manager at the Seattle Office of Arts & Culture, overseeing investments funding, and racial equity opportunities for community. Hsieh has transformed the City of Seattle’s arts funding program and helped the agency earn the Seattle Management Association’s first Race and Social Justice Management Award. Kathy shared with us her insights about how she became involved with the arts, her office's response to COVID-19 and the Black Lives Matter movement, as well as her recommendations for arts leaders looking to promote cultural and racial equity in their work. 

ArtsEd Washington is a nonprofit organization dedicated to making arts education equitable and accessible to every K-12 student in Washington State. Danielle Gahl has been the Executive Director since 2017, but beginning in September 2020, she will be stepping down from that role and continue to run Internal Operations for the organization. Courtney Clark stepped up from the organization’s Board and became the Interim Executive Director in July 2020 after being furloughed during COVID-19 from Seattle Opera as the School Programs Manager. “It’s easy to send out an email that tells everybody what you’re doing; it’s a lot harder to do it. We’ve been focusing our efforts for a while now on walking the walk before we start talking the talk. ... The work of ArtsEd Washington is an everchanging landscape as the world of education is ever evolving. We choose to advocate through an equitable lens of equality that The Arts Matter! And FOR All!” 

Across the nation, communities have taken to the street to express their feelings about the Black Lives Matter movement in paint. Public art is an effective tool for local government expression because it amplifies messages of political and social importance with a clear and powerful statement. It also brings people together, creates social understanding, and aids the healing process. That’s just what it did in Asheville, N.C. After a month of planning, on Sunday, July 19, 2020, dozens of artists and volunteers came together on behalf of the City of Asheville to create a Black Lives Matter mural in the heart of downtown. Having been through this process, I have 5 tips for arts agencies looking to serve in a similar role. I also recommend reaching out to other organizations in your area, state, or region that have played a role in the installation of a street mural project for additional insights.