Americans for the Arts

Across the nation, communities have taken to the street to express their feelings about the Black Lives Matter movement in paint. Public art is an effective tool for local government expression because it amplifies messages of political and social importance with a clear and powerful statement. It also brings people together, creates social understanding, and aids the healing process. That’s just what it did in Asheville, N.C. After a month of planning, on Sunday, July 19, 2020, dozens of artists and volunteers came together on behalf of the City of Asheville to create a Black Lives Matter mural in the heart of downtown. Having been through this process, I have 5 tips for arts agencies looking to serve in a similar role. I also recommend reaching out to other organizations in your area, state, or region that have played a role in the installation of a street mural project for additional insights.

On May 25, 2020, Minnesota police officer Derek Chauvin brutally murdered George Floyd, an unarmed Black father accused of issuing a counterfeit $20 bill, while other police officers stood by. This tragedy, following many other recent police-involved shootings of unarmed Black men and women that have been broadcasted and protested nationwide, has sparked renewed and global visibility for the Black Lives Matter movement. This most recent wave of protests has prompted a discussion within the public art field: How can public art respond to the Black Lives Matters movement? Should it? What will we do about the public artwork that is being tagged and damaged during these protests? Public art, at its best, is an authentic reflection of our times and values. Public art should reflect the community around it, and represent the hopes, lives, and aspirations of the people in that community. What we can do as public art policy makers and administrators is uplift those voices in our communities that are calling for justice and equal protection for people of color under the law. It is time to talk about the lack of diversity within our public art commissions, artist selection panels, and our public art workforce. We need to address the elitism with which we dictate to communities which artworks are acceptable, and which persons and cultures are worth affirming with monuments and beautiful objects.

With social distancing practices supported by many medical professionals and government agencies to help slow the COVID-19 pandemic, limitations on public gatherings are good for public health but can provide a challenge for public art administrators to keep projects on schedule. Generally, public art community engagement practices aim to build connections and strengthen communication with stakeholder groups related to a project’s location or themes, or as part of oversight for public art programs. Communities engaged through public art include residential groups, local stakeholders, arts commissions, and others; and canceling or postponing events may hinder the development of public art projects. This blog post aims to provide insight, resources, and recommendations to maintain community engagement for public art projects and programs as we all work to promote health and safety in our communities. 

Studies show the healing potential of the arts is powerful. It can change a person’s focus and alter a body’s physiology. Research suggests that it can lower blood pressure, improve stress management, curb anxiety and depression, alleviate pain, enhance memory, improve communication, promote wellness and relaxation, and enhance the production of proteins that accelerates healing and minimizes the danger of infection. Recognizing that a patient’s physical health is fundamentally linked to his or her emotional and spiritual well-being, in 2016 Summa Health committed to integrating the healing arts into its renowned patient care by creating a Healing Arts Leadership Council made up of senior hospital staff, benefactors, and community leaders. This Council is dedicated to bringing the healing powers of art and music into the hospital. As Summa is a community hospital, the Healing Arts Council decided early on that all artwork displayed would feature artists with a connection to Ohio, and predominantly Northeast Ohio. In addition, all art would be original, with the goal of engaging viewers with the pieces, and focusing their attention on the artworks’ unique qualities. 

The arts can transform spaces (through public art), and they can transform lives. My company, CODAworx, has built a network of artists who create large-scaled artworks that are designed for the built environment in which we live and work. We have seen firsthand how these kinds of artworks can transform spaces. Everyone at CODAworx connects with artists on a regular basis (including our Controller!), and it is one of the great perks of our jobs. Artists inspire us on a daily basis—not just with the amazing works of art they create, but the way they think and interact with the world. They push the boundaries of possibilities. We all need a daily dose of inspiration!

In 2020, the convergence of Americans for the Arts’ Annual Convention with the refreshed and expanded Public Art & Civic Design Conference will spark a new level of conversation and thinking. The new shifts in format and structure that we’re setting up this year will make for an even more interactive and energizing conference, with over 50 sessions, more than 1,000 professionals from across a variety of sectors, and more opportunities to learn and network with colleagues from all 50 states and around the world. These two annual events—happening June 26-28 in Washington, D.C.—are the best place to come together with the full spectrum of people who are working to center the arts in equitable community development and creative placemaking. We are excited about holding these meetings in Washington, D.C. because the city and surrounding communities are about much more than national politics. It is a great place to engage in really deep and meaningful conversations about how we all work to make our communities the best they can be.