Americans for the Arts

According to The New York Times, Black Lives Matter (BLM) protests may have been the largest movement in U.S. history—and the most vigilant of these protests remain on the walls, corners, and surfaces of streets that we walk by every day. In cities across the country, artists banded together to use their creativity as a powerful visual advocacy against racial injustice. Unfortunately, these murals are short-lived, either because they are immediately tagged or destroyed by dissenters who blithely deny America’s problem of racism. Artists who had transformed boarded-up businesses into powerful BLM art witnessed their art getting thrown out by storeowners. Such defacement of protest art is unfortunately a recurring violation. Now, here’s the good news: the Visual Artists Rights Act of 1990 (“VARA Law”) may be the key to protecting and preserving these artworks. Here are eight important issues about VARA Law for artists.

Artworks created in the streets are by nature ephemeral and have the ability to capture raw and immediate individual and community responses; the meaning of these pieces is negotiated and shifts over time. The Urban Art Mapping research team, an interdisciplinary group of faculty and students based at the University of St. Thomas in Saint Paul, Minnesota, began working in early June to collect digital documentation of street art that emerged in the aftermath of George Floyd’s murder, ranging from monumental murals to small stickers and including commissioned art as well as unsanctioned pieces. We have seen that the art made in response to this act of injustice is an expression of the anger, frustration, and pain felt in communities across this country and around the world that needs to be preserved. Beyond serving as a repository for this art, the database was created as a resource for students, activists, scholars, and artists by way of metadata, including a description of key themes, geolocations, and dates of documentation. We are actively seeking contributions to the database through crowdsourcing in order to capture the global scale of this powerful call for change. 

Since the tragic killing of George Floyd earlier this year, there have been scores of news reports about the hundreds of millions of dollars pledged and/or donated to organizations committed to fighting for racial justice, equity, diversity and inclusion, or to address unconscious bias. I believe a portion of this money should be shared with arts organizations to help facilitate and foster the social changes necessary for transforming this era of racial injustice into an era of recognition and respect for the dignity of all people. Why give money to the arts? Throughout every pandemic—and racial injustice is indeed an epic pandemic—the arts continue to define, shape, and sustain the narrative of the general population. Artists are natural innovators who can provide insight and help us consider solutions to the challenges we are confronting. Their work stimulates collective imagination; stirs our sense of possibility and has been shown to inspire us to action.

The 28th year of Americans for the Arts’ Diversity in Arts Leadership (DIAL) summer internship program was forced to shift gears due to the COVID-19 pandemic. Earlier this year we shared a blog post, “Re-envisioning Internships During COVID-19,” which provides a baseline understanding of where we started in our discussions and decision to continue the DIAL 2020 summer intern program during the pandemic. We discussed our plans and strategies of how we converted our program rooted in in-person, cohort-based work and activities, to an all virtual experience. As so many internship programs have been eliminated or transitioned during this time, we wanted to share the outcome of our re-envisioned virtual DIAL internship program: the challenges we faced, the successes we saw, and what we’ve learned. Though our virtual programming was different in many ways, one thing that did not change was its impact. All our interns stated that continuing the program through the global pandemic had a lasting impact on them. 

Katrina Daniels is the Exhibition and Gallery Sales Director at the Lansing Art Gallery and Education Center, which provides public awareness, education, and enjoyment of the visual arts by promoting the works of Michigan artists. Katrina coordinates exhibitions and public art programming working directly with artists to increase engagment between them and the Lansing community. Katrina is a co-founder of ARTpath, a program developed by the Gallery and the City of Lansing to bring artwork out of the traditional gallery setting and into the public realm. ARTpath offers more accessible opportunities for the community to engage with the work of Michigan artists. Our Member Profile series features the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more. An Americans for the Arts Membership connects you with this network of more than 6,000 arts leaders and gives you access to latest professional development and research.

As the 2020 election gets closer and many voters are already voting by mail or in-person, arts organizations around the country are doing their part to help voters make their vote count. This election is crucial to electing leaders at each level of government who will ensure that funding for the arts is protected and accessible for all. In this month’s Member Briefing, Americans for the Arts members Sheila Smith, executive director of Minnesota Citizens for the Arts, and Nate McGaha, executive director of Arts North Carolina, discussed using the arts to Get Out the Vote. They shared their experiences conducting voter outreach in their communities including their candidate forums, messaging about important voting deadlines, and partnership with other local, and national organizations including ArtsVote. If you missed the briefing live, a recording of the event is available now on ArtsU. Member Briefings are our quarterly opportunity to talk to you about what’s happening now, so mark your calendars to stay up-to-date on what’s happening at Americans for the Arts and across the sector.