When recently asked how best to advocate for the arts in the current environment, U.S. Senator Tom Udall (NM)—co-chair of the Senate Cultural Caucus and chief sponsor of the CREATE Act—was unequivocal: “Start by telling every one of your Senators about the economic benefits of the arts.” This familiar refrain is one we have heard for decades from city council chambers to governor mansions to the halls of Congress—and it works. Arts & Economic Prosperity 5 does just that. It changes the conversation about the arts from that of a “charity” to one about an “industry” that provides both cultural and economic benefits to the community.

On a trip to teach and learn about cultural districts in South Carolina, I was struck by the desire of each district to develop relationships with the others and to work together to promote each other’s cultural assets and build knowledge about the state across the state.

South Carolina Arts Alliance’s Betty Plumb, always an inspiration to me, had spoken for years about the Arts Caucus in South Carolina’s legislature. It was large and seemed very responsive to Betty and her arts advocates. To be honest, I was slightly jealous. But after speaking for some length with Betty about the caucus, I was determined to start one in Pennsylvania. I mean, how hard could it be, with the largest full-time legislature in the nation? 

I first knew we—the Pennsylvania Citizens for the Arts Board of Directors at and I—had to identify the initial contact in the Pennsylvania General Assembly. Our likely candidate was Senator Jay Costa (D-Allegheny). He had served on the Council of the Pennsylvania Council on the Arts (PCA) and was on the board of directors at several Pittsburgh area arts and culture organizations. My board chair, Mitch Swain, approached Sen. Costa about this idea to start a bi-cameral, bi-partisan Arts Caucus. We were positive the only way the caucus would work is for both Houses and political caucus to work together. To our delight, Sen. Costa thought the idea was great, agreed to act as a co-chair, and took on the task of identifying the other three Arts Caucus leaders.

Who are the players in statewide arts advocacy you might ask?

Text book speaking, state arts advocacy leaders and their organizations are the primary source of advocacy promoting arts and arts education friendly policy from state governments. Many statewide arts advocacy leaders belong to Americans for the Arts’ State Arts Action Network (SAAN), so you may also hear them referred to as SAAN members.

At Bloomberg Philanthropies we recognize the enormous potential of public art to enliven neighborhoods, drive foot traffic to local businesses, bolster tourism, and inspire people to live and work in places identified with creativity. So in October 2014, we launched the Public Art Challenge to support temporary public art projects that catalyze urban growth, contribute to local identity, and promote creativity. In addition to generating exciting work in cities and seeding strong public-private partnerships supporting culture, we hoped the initiative would encourage local governments across the United States to view artists and the arts as resources for addressing civic priorities in real and transformative ways. 

Each December, I have the pleasure to reflect alongside colleagues of the Americans for the Arts’ Arts Education Advisory Council about what happened in arts education in America over the course of the previous year. It is truly one of my favorite activities – a chance to celebrate big accomplishments, learn from incidents that were not-so-good, and identify trends which may crop up in our work in 2016.

Last year, as we looked back over 2014, we discussed STEAM, creative youth development, standards, new reports, resources for specific student populations, mayors and more. Some things continued this year, and some things did not – check out the list below!

2015 is almost over, and what a year of successes and changes we've had as a country. The unemployment rate dropped to its lowest level in more than seven years; the Supreme Court ruled in favor of same-sex marriage nationwide; a landmark climate change agreement was approved; the U.S. embassy reopened in Cuba after 54 years; and a week ago, the Every Student Succeeds Act passed--a tremendous win for arts education. The arts won a number of other legislative victories too, such as increased federal arts funding and arts-friendly legislation regarding both IRA tax rollovers and visa law along with key successes at the state and local levels.

As the leading organization for advancing the arts and arts education in the nation, Americans for the Arts' Federal Affairs team keeps its finger on the legislative pulse line of Capitol Hill and champions arts and arts education friendly legislation such as the newly passed Every Student Succeeds Act (ESSA)*. 

Americans for the Arts is also passionate about empowering positive arts and arts education policy at the state and local levels, where there is much less political gridlock and thus more opportunity for positive change to occur. Our State and Local Government Affairs team connects individuals to their respective State Arts Action Network (SAAN) members, tracks arts and arts education legislation at the state and local levels to study trends, and enables members to lead grassroots action on state and local issues through our e-advocacy tool, Voter Voice. 

On Tuesday, the 6^th of October, 175 businesses and arts leaders gathered together at the iconic Central Park Boathouse in New York City to honor the best businesses partnering with the arts in America at the annual BCA 10 Awards. Now in its eleventh year, this black-tie gala presented by Americans for the Arts’ Business Committee for the Arts brought an evening of stories and musical performances that testified to the ability of the arts to uplift and inspire.

Stephanie Milling

The last few months I have been speaking a lot about arts advocacy in various venues. While sharing information about advocacy with others involved in the arts, I have come to realize that there are many who feel the work that advocates do is important; however, they are reluctant or unsure how to become involved themselves. In these conversations, I began to realize that advocating for the arts might not be enough. Perhaps arts advocates need to identify the citizens, leaders, artists, and arts audiences in our respective communities who could become arts advocates and contribute to our efforts in sustaining the presence of the arts in our respective communities.

Nina Ozlu Tunceli

 

In this year’s midterm elections, Republicans took back the Senate, kept control of the House and won governorships in 31 states and counting. What does that mean for you and for us, as strong advocates of the arts and arts education? Here we break down the national, state, and local results - and their potential impact on the arts:   In Congress The U.S. Senate will be Republican-led. This means all Senate committees will see new chairmen, and since those committees control and recommend federal spending, these new chairmen could have significant impact on federal arts funding.

Nicholas Dragga

Among other issues, I hear emerging leaders wanting a larger voice in their organization – a chance to use their knowledge and skills. From the “established leaders” in my area, I hear not knowing exactly how to use, or maybe engage, emerging leaders (ELs) and their ideas. Senior leaders are sometimes unsure or afraid of how to fit these new ideas into the organization’s structure or culture since there are reasons things are done they way they are, and sometimes (often) organizations are big ships to turn.Of course, finding a voice in your organization is a huge issue with lots of nuances, and this issue could certainly be articulated better or maybe even more correctly, but I think we all get that we all want a vibrant and relevant organization that is regenerative in its thinking and programing. There are systems in place that have grown and sustained the organizations to what they are today, and new ideas like [insert your brilliant idea here] in the pipeline that are exciting, engaging, and even revolutionary will keep organizations relevant. So, how do we bring out great ideas and engage leaders at all stages, all the while maybe even having some fun? Yes, this is a lofty goal. Further, is this lofty goal, or unicorn, possible without a huge culture shift or organizational overhaul?

There is an old quote attributed to John Montagu, 4th Earl of Sandwich:

“If any man will draw up his case, and put his name at the foot of the first page, I will give him an immediate reply. Where he compels me to turn over the sheet, he must wait my leisure.”

This was the charge given to me by a business leader who needed to make a compelling case for government and corporate arts funding:

“Keep it to one page, please,” was his request. “I can get anyone to read one page.”

With the 2014 arts advocacy season upon us, the following is my updated “Top 10 Reasons to Support the Arts.”

Stephanie Milling

Perhaps the holidays have made me somewhat sentimental this year. As I pondered what to write for this blog post, I kept returning to how thankful I am to have had a career in the arts. I have been able to make a living doing what I love to do, share that passion with my students, and encourage them to pursue a career that will provide artistic and intellectual stimulation as well as a possible lifetime of inspiration. Of course, my professional achievements would never have been possible without influential role models and access to the arts from a young age.

Therefore, I try to pay it forward by acknowledging my mentors and the opportunities I was afforded. Giving back by participation and service in initiatives and projects that help sustain the quality of the arts and arts education for future generations is my duty. This week, I offer a list of how to give thanks for how the arts have enriched our lives. For most of us reading this blog, this practice would be commonplace. Therefore, consider it one individual’s humble attempt to spread awareness of the many ways we can support the arts and the beginning of a larger conversation that illustrates the priceless benefits that accompany such efforts. I encourage you to add additional ideas to this preliminary list and share them with your community. Perhaps some ideas of different ways to become involved in the arts will help create new spectators, volunteers, and donors.

George Patrick McLeer

“Are you thinking about getting your Masters?”

Every time I’m asked that question, my brain has a dilemma. On one hand, I love learning as much information as I can about my field and anything that relates to it. I take what Malcolm Gladwell told Charlie Rose about the key to great journalism to heart—“It’s about teaching yourself that everything is interesting.”

And I love the classroom setting—well I should say the right classroom setting, but that’s another story. I would much rather write a 20-page paper on charitable tax policy or how to engage young people, than attend another City Council meeting or board meeting some days.

But on the other hand, why would I go back to school? I’m a young professional with the world at my fingertips; I’ve got a pretty great job and on top of all that, my undergraduate degree was in Arts Management—so unless I wanted to specialize in something very specific like Arts Policy or Arts Education, I don’t need to sit in a classroom and learn about mission statements, 990s, grants, marketing, etc, from the beginning all over again.

Sure I’d love to learn more about those things—I haven’t found the magic potion to make a perfect arts organization (yet…maybe a Chemistry class?)—but as it stands right now, I have a better chance of making an impact by staying out of the classroom than going back into it.

The other question I used to get when I was in college was, “Where are you looking to work?” No doubt, most folks hear “the arts” and think NYC, DC, Chicago, LA, Atlanta, Seattle and other locations. But for me, my answer was, “I’m staying here in South Carolina.” 

Kim Kober

State legislators met over the past two days to consider overrides of Gov. Nikki Haley’s vetoes to the state budget. Two of these vetoes impacted funding for the South Carolina Arts Commission.

Veto #1 completely eliminated funding for the South Carolina Arts Commission, resulting in the agency closing its doors on June 9.

Veto #21 eliminated $500,000 in additional funding for the arts commission to distribute in grants.

To override a Governor’s veto, the item is first considered by the State House of Representatives and if two-thirds of the House vote to override the veto, it will then move on to the Senate where a two-thirds vote is also required.

Yesterday, the House voted to override both of the vetoes with votes of 110–5 to restore funding and 89–25 in favor of the $500,000 for arts grants.

Today the Senate has done the same, voting 29–10 to restore funding for the arts commission and 29–12 to override veto #21.

It’s great to see South Carolina policymakers recognize the value of the arts commission and it was amazing to see how arts advocates in the state stepped up and make noise when Gov. Haley’s vetoes were announced.

If you’ve been reading about the arts online over the past week and a half, there is a good chance you were reading about what was going on in South Carolina. On Twitter, #SaveSCArts has been mentioned hundreds of times and a Change.org petition received more than 7,600 signatures of support.

On Monday, one week after the arts commission closed their doors, advocates held a rally in the state capitol of Columbia where arts supporters gathered to play music, dance, and paint. We know their efforts did not go unnoticed by policymakers.

Jay Dick

Here we go again...

On Friday, South Carolina Governor Nikki Haley vetoed the South Carolina Arts Commission's budget. This is the third year in a row for such a veto, two by Governor Haley and one by former Governor Sanford. It should be noted that prior to Governor Sanford’s veto, he systematically cut the Commission’s budget over the seven years leading up to the veto during his last year in office.

To complicate matters, the legislature failed to submit a budget to the Governor until after the start of the new fiscal year that began on July 1. The Commission, under the veto, has no budget and thus, has had to shut down pending the legislature voting to override the veto on July 17 (House) and 18 (Senate).

Governor Haley issued 81 vetoes totaling $67.5 million for everything from a slight pay raise for teachers to a North Myrtle Beach museum, the preservation of African-American history sites in Charleston, a commuter mass transit service between Camden and Columbia, prescription drugs for AIDS patients, and a nonprofit that serves sexual assault victims.

But, it was only the Arts Commission and the Sea Grant Consortium that were totally eliminated—a move that puts 38 state employee's jobs in limbo.

House Speaker Bobby Harrell is calling legislators back July 17 to consider overrides. He had planned to wait until mid-September, but Harrell said the two agencies’ predicament, as well as the money for teacher raises, should be addressed sooner. The Senate is coming back on July 18.

Governor Haley’s reasoning for her veto of the Arts Commission is that she would rather let taxpayers decide what charities they want to support. She said it’s not a government function.

The Arts Commission is a charity?!

Justin Knabb

While state legislative sessions are just getting underway in the new year, perpetual campaigning for the election is no doubt leaving everyone already feeling cranky and cynical (or is that just me?).

But take heart, advocates! Despite the cornucopia of GOP candidate positions on public arts funding---ranging anywhere from mild tolerance to total abhorrence---President Obama just proposed an increase in NEA funding!

And on the state level, while some familiar faces are making waves, several states are receiving some great surprises and proposals for steady funding:

Connecticut
Last month, Connecticut’s Department of Economic and Community Development (DECD) announced the launch of a $3.1 million local-level creative placemaking initiative in July. Gov. Dannel Malloy’s FY13 budget recommends eliminating all direct art support and redirecting those funds to a statewide marketing campaign that would include tourism. The state’s budget office indicates that arts organizations will be able to compete for $14 million in funding with other programs in the DECD.

Florida
The state legislature is proposing an increase to Florida Division of Cultural Affairs Cultural and Museum Grants. These grants were appropriated $2 million for the current fiscal year, and for FY13 the House and Senate are currently recommending $3,025,000 and $5,050,000, respectively.

Kansas
After zeroing out the state arts commission last year, Governor Sam Brownback reversed his decision and proposed $200,000 for the upcoming fiscal year. However, these funds would be for a new Kansas Creative Industries Commission, a merger of the Kansas Arts Commission and the Kansas Film Commission, housed under the Department of Commerce.

Erik Takeshita

We stand on the shoulders of those who came before us. We have a responsibility to those who will come after us.  

These simple yet powerful concepts have been echoing in my head the past few days in New Mexico where I participated in a roundtable discussion held at the Institute of American Indian Arts sponsored by the Open Society Foundations, First People’s Fund, and Arts and Democracy Project. The people I met and the stories I heard reinforced the power of the arts – and more importantly culture – in transforming our communities.

Six case studies were presented at the roundtable: KUYI Hopi radio (Hopi Nation), Jikaat Kwaan Heritage Center (Alaska), Penn Center (South Carolina), Tamejavi Festival (Central Valley, California), STAY Project (Appalachia) and Cornerstone Theater (Los Angeles).

Despite the differences in geographic location, populations or medium, these exemplars all shared common elements: they were place-based, holistic approaches that engaged both youth and elders, and, perhaps most importantly, put culture at the center.

Place-based: When in New Mexico, it is obvious that place matters. This is, of course, true everywhere. Place informs who we are, how we act, our thinking, our relationships. Place is more that just a setting, but rather is an active participant that informs what can and should be done.

Fourth of July celebrations started early for several states this week, as arts advocates scored major victories in Ohio, Pennsylvania, New Jersey and South Carolina.

Ohio Citizens for the Arts is reporting that the state arts council will enjoy a 30.5% increase in funding for the 2012-13 biennium – 62.1 percent more than Governor John Kasich had proposed. The current allocation for FYs 2010-11 is $13.2 million, with the governor proposing only $10.6 million for the upcoming biennium. However, legislatures decided to increase that number to $17.2 million, and the governor agreed!

In Pennsylvania, the House of Representatives had proposed a 70% reduction to the $9 million budget of the Pennsylvania Council on the Arts- a stark contrast to Governor Tom Corbett’s request for essentially flat funding. The Senate did not concur, and reinstated the funding: $8.2 million for arts grants, and $866,000 for arts agency administration. The House acquiesced, and the amended budget was sent to the governor for approval.

Finally, the New Jersey Legislature was pushing for a 27% cut to the $16 million budget of the state arts agency, but Governor Chris Christie removed language in the final budget that would have enacted those cuts. And, as most are already aware, South Carolinians scored a major victory as the legislature voted to override Governor Nikki Haley’s line-item veto of arts funding, thus preserving the $1.9 million allocation to their arts commission.

Editors Note: Click here for an update on this story.

In response to South Carolina Governor Nikki Haley’s decision to veto funding for the South Carolina Arts Commission, Robert L. Lynch, president and CEO of Americans for the Arts, issued the following statement:

“In vetoing funding for the South Carolina Arts Commission (SCAC), Gov. Nikki Haley offers another unfortunate example of newly-elected gubernatorial leadership being out of touch with the wishes of voters for ideological reasons.

Betty Plumb, executive director of the South Carolina Arts Alliance states, 'South Carolinians have spoken and the General Assembly has listened. The budget is balanced, and it includes the arts. The state's small investment in the arts yields significant, statewide returns for education, quality of life, and our economy. The support and services the arts commission provides make a positive difference in our communities and schools. We don't need to sacrifice this valuable public asset when there is no practical necessity to do so.'