Author(s): Day, Douglas and Bulger, Peggy A.
Date of Publication: Aug 21, 2001

One organization has defined cultural policy as, “in the aggregate, the values and principles, which guide any social entity in cultural affairs.”

Author(s): Lord, Clayton
Date of Publication: Jun 02, 2015

First essay in the book Arts & America: Arts, Culture, and the Future of America’s Communities featuring an introduction by Americans for the Arts CEO Robert L. Lynch. The

Author(s): Smith, Jean Kennedy and Plimpton, George
Date of Publication: Dec 31, 1992

In 1974, Jean Kennedy Smith founded Very Special Arts to provide people with disabilities opportunities for integration and self-expression through drama, dance, music, creative writing and the visual arts. Now, in a series of candid and revealing interviews conducted by Smith and edited by George Plimpton, sixteen artists talk about their lives - and discuss how art has made a difference to them.

Author(s): Cross, Carol M.
Date of Publication: Dec 31, 1971

Chronicle of a dispute over the critics' role between the Boston Symphony Orchestra and Boston music critics. (Table of Contents, p. 1). Includes reprinted articles, editorials and letters to the editor from The Boston Globe, Time, The Boston Herald-Traveler, and The Phoenix. This material was prepared from published sources by Carol M. Cross under the supervision of Douglas Schwalbe. Copyright 1970 by the Institute of Arts Administration.

Author(s): National Assembly of State Arts Agencies and National Endowment for the Arts
Date of Publication: Dec 31, 1993

Prepared and published by the National Assembly of State Arts Agencies and the National Endowment for the Arts. A binder with various design suggestion to make art's facilities accessible for persons with disabilities.

Author(s): Nunns, Stephen
Date of Publication: Dec 31, 1998

It is late in the afternoon, and Bill James, an incumbent county commissioner for Mecklenburg County, N.C. is talking my ear off. I'm not opposed to arts, James says over the phone with evident conviction. My kid takes ballet lessons.

Author(s): Hoffman, Donald H.
Date of Publication: Dec 31, 1979

Today - on the local level - arts programs designed for older individuals can be organized through existing delivery systems similar to those operating in the days of WPA. A variety of such systems are available, namely, continuing education programs; county extension programs, recreation programs; community arts agencies, organizations, and centers; regional planning commissions; adult education offerings; museum education opportunities; mature-student programs; nutrition centers; and area agencies on aging. Each of these systems has been developed to enable its staff to reach particular

Author(s): Sherman, Andrea
Date of Publication: Nov 01, 1996

In this issue of the Monograph, experts in the arts and aging field discuss and describe a myriad programs, policy issues and partnerships across the country.

Author(s): Miller, Howard; Rynders, John E.; and Schleien, Stuart J.
Date of Publication: Dec 31, 1994

The question of how to facilitate social interaction between special education students and regular education students has been the subject of much study over the decade. Some successful methods and programs have been identified, but the problem has become one of introducing such programs into regular classroom programming. As the authors of this study note, classrooms must provide students with mental retardation with an enviroment that is motivationally stimulating and emotionally safe. This study provides evidence that drama can serve as a mechanism to increase interaction among students

Author(s): Francesca Rosenberg, Amir Parsa, Laurel Humble, and Carrie McGee
Date of Publication: Jan 01, 2009

This report describes the findings of a study designed to evaluate the efficacy of the Meet Me at MoMA program for people in the early stage of dementia and their family caregivers. This groundbreaking study provides the first formal evaluation that demonstrates, with both quantitative and qualitative evidence, the many benefits of making art accessible to people with Alzheimer’s disease and their caregivers. It also points out the elements of the program that have the greatest positive impact and those components that might be modified to further enhance its effects. This evaluation

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