103593
Essential in a Different Way
This is an unprecedented time in our history—one I’m still processing and reacting to as things change every day. I’m reminded how grateful I am to still have a job I love and basic necessities such as food, electricity, and technology (especially to connect with loved ones). This experience also has taught me several important lessons and reminded me why I chose a career in the arts to begin with: creating is essential to mental health and provides an opportunity for human connection. People are rallying around the arts, donating money, collecting data, creating artwork, hosting live performances, and even collecting shared stories and histories around this experience to add to museum collections. It’s no coincidence that people are using the arts to stay connected to each other. The arts have always had a way of bringing people together, and this has been true even before we hit a global pandemic.
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103589
On Cultural Organizing and Performing Our Future
“We own what we make.” That’s the watchword of a national grassroots-to-grassroots coalition called Performing Our Future, which we both help lead. It unites communities across the country who have spent generations resisting economic exploitation—who historically have not owned what they make—and who have long been set against each other along racial, political, regional, and rural-urban lines. How have these communities come together? Through the work of cultural organizing. Cultural organizing is not the same as conventional community organizing or activism. Conventional community organizing and activism typically work from deficits: identify what’s missing in our communities, find and mobilize the people who agree with you, call out the inequity and injustice, and fight the bad guys. In the coalfields of East Kentucky and the inner city of West Baltimore, where we work, this usually means “organizing around” problems like unemployment, drugs, or disenfranchisement. Sometimes a meeting might start with a poem, or a protest might include beautiful puppets. But that’s still not cultural organizing. Cultural organizing is more than activism-plus-art.
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103588
Do those values come in my size?
Whether or not we can name them, we all function from a set of values. From when we’re young they get passed down from our caretakers and life experiences. However, as adults we can be more intentional. We are empowered to think about the person we aspire to be and align our values accordingly. Our core values should not be relegated to a page in a shelved binder or a forgotten annual report. Use them as a tool to navigate your leadership as an arts administrator during this pivotal moment in history. While we create new avenues for arts and culture engagement in this changing landscape, our individual and institutional core values will light our paths towards new solutions and new ways of being as arts practitioners, participants, and leaders.
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103587
I Waited For the Sun
Sometimes the source of our perceived needs is shielded, just to remind us of the greatness we take for granted and get us to yearn for something regular again. For many, that greatness is integrated in art, through creation and sharing. The brilliance of the solar system and the access to the sun is something we all share. Despite the classes we put ourselves in, despite the prejudices we choose to uphold and create, our sun is seemingly the same. It is a reminder of a new day beginning and, ready or not, another chance to be. My biggest lesson from the excessive alone time and relaxation of busyness is that though it seems many things are inaccessible, I still have access. I can still create, think, make mistakes, and breathe.
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103573
Local Arts Agency Roundtable: A Conversation with Kristin Sakoda
In 2018, Los Angeles County’s Board of Supervisors voted to transition LA County’s long-standing Arts Commission into the County’s first-ever Department for Arts and Culture in response to the growing and expanding arts ecology. In a recent conversation, LA County Department of Arts and Culture’s Director, Kristin Sakoda, told us about the process. “There is culture in all people and all places—rich, cultural diversity; heritage; artistic practices; and traditions—but often unequal access, resources, recognition, and histories of support,” said Sakoda. “In a county as ethnically and culturally diverse and geographically sprawling as Los Angeles, the Department seeks to ensure that all the benefits of, and opportunities provided by, the arts are available and accessible to all residents, no matter who they are or where they live.”
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103571
Local Arts Agency Roundtable: A Conversation with Nicole Mullet
In 2012, the GAR Foundation and Knight Foundation launched the Summit County Arts and Culture Initiative to better understand the strengths, challenges, relevance, and opportunities for the arts sector of Summit County, Ohio. The initiative marked the first time this type of work was done for or with the arts sector in the greater Akron area. As work progressed, it became evident a new organization was needed to meet the needs of Summit County, and in July 2015 ArtsNow was created to address the report’s findings and ensure the arts and culture sector is fully leveraged in finding solutions to community needs and moving the region forward. Nicole Mullet, executive director of ArtsNow, talked to us recently about the process and what the initiative discovered.
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103576
It’s the Arts. Troubling News Yet Still Room for Optimism
The coronavirus is having a devastating impact on America’s arts sector. Since the first U.S. case was diagnosed, cancellations and closings have been reported at thousands of arts organizations across the country, artists are posting high unemployment rates, and organizations are furloughing staff. Clearly this is a distressing time for the country with more uncertainty ahead. When the crisis does end, however, the arts should be looked to as an essential tool in both economic recovery and reconnecting our communities. Getting people out of their houses and spending money again will be key to jump-starting the economy (70% of the U.S. economy is consumer spending). The arts also will create opportunities to heal the isolation caused by social distancing and unify our communities. The coronavirus toll is heavy, but the arts can be our great asset in recovering from the crisis socially and economically. This is why doing everything in our power to bolster the arts now will make our nation stronger later.
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103572
Local Arts Agency Roundtable: A Conversation with Erick Deshaun Dorris
Last year in Joliet, Illinois—inspired by a rising tide of creativity and arts stewardship—the city council recognized the need for a central, organizing body for the local creative sector and voted unanimously to establish the Joliet Arts Commission. If I can offer any word of encouragement for others looking to establish an arts agency in your community, it is that you are not alone. There is a network of folks across your state and the country who are doing this work, even if you are a solo act in your community. Joliet could not get this far this quickly without the guidance, support, and encouragement from our state and national local arts networks. About two years ago, I walked into a meeting in Galesburg, Illinois, and said, “Joliet wants to start a local arts agency,” and the resounding response was “Okay, how can we help!” I have found that people in these roles want to help you and are looking for opportunities to connect with you. Reach out, be humble, and ask questions.
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103563
Raising the Roof: How the Arts Can Lift Up Communities and Rebuild the Economy in the Post COVID-19
COVID-19 has heightened the stress levels in lower-income families and put people in extreme survival mode. If you’re not on the top of the socioeconomic ladder, this is a very scary time with lots of uncertainties. Removing vital systems of support like school and community programs throws people into a fear-filled tailspin. We started doing a lot of arts integration work back in 2007 with a couple of different school districts, and we found that because of the shift in budgets teachers began teaching P.E. To support them, we build a hip-hop dance-inspired, web-based learning platform called PassToClass.com. Because of COVID-19, we offered free access to PassToClass.com to all our school partners as a fitness and creative expression resource for distance learning. We need to expand access as much as possible right now. Partnering with creative nonprofits that have tight community ties and boots on the ground means our under-resourced communities get the information and resources they need to stay safe.
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103553
Creative Pricing Strategies for Artists
Developing a pricing strategy in the arts requires as much art as it does arithmetic. And both parts are equally important. After all, the value of a creator’s work isn’t in the cost of the raw materials. It is in the experience, the expertise, and the skill added to those raw materials. And it is in the feelings, emotions, and experiences that affect the reader, or the viewer, or the audience member. But there is no math formula for that. There is no explicit mark-up percentage that captures emotion. It is subjective. So, I’m giving you permission to ignore math—not forever, and not completely, but just for a bit while we talk about a pricing framework to capture more than just the math.
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103535
Community Engagement in the Time of COVID-19
With social distancing practices supported by many medical professionals and government agencies to help slow the COVID-19 pandemic, limitations on public gatherings are good for public health but can provide a challenge for public art administrators to keep projects on schedule. Generally, public art community engagement practices aim to build connections and strengthen communication with stakeholder groups related to a project’s location or themes, or as part of oversight for public art programs. Communities engaged through public art include residential groups, local stakeholders, arts commissions, and others; and canceling or postponing events may hinder the development of public art projects. This blog post aims to provide insight, resources, and recommendations to maintain community engagement for public art projects and programs as we all work to promote health and safety in our communities.
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