Americans for the Arts

This last post in our ARTSblog series featuring nominees for the 2020 Johnson Fellowship for Artists Transforming Communities celebrates Eddy Kwon—musician, educator, program designer, and facilitator of equitable community development. Integrating music as a fundamental component of Price Hill Will, a community development organization in Cincinnati, Kwon’s impacts are many and draw upon their own unique artistry and artistic vision, sustained work in creative youth development, and innovative initiatives in creative citizenship. First, Eddy Kwon is a composer, violinist, jazz musician, and improviser, performing as a member of the Art Ensemble of Chicago and with musicians from the Association for the Advancement of Creative Musicians. Kwon is equally a community leader who works daily at the intersection of creative youth development, creative citizenship, and equitable community development. 

This summer, 12 Diversity in Arts Leadership interns from all over the country are working virtually with New York City-based arts nonprofits for ten weeks to explore and build skills in arts administration, and cultivate knowledge in cultural equity within the arts field. For 27 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. This series features our 2020 DIAL NYC cohort in two parts: six interns are profiled here and in a later post, six more! Read on to get to know Truth Murray Cole, Chayna Yoshida, Noa Weiss, Julia Lee, Carol Loja, and Allie Li. 

Americans for the Arts partners with a range of associations of elected officials at all levels of government to promote the arts and culture as solutions to cities’ various issues or problems. The National League of Cities (NLC) is one such partner. NLC represents mayors and city council members of approximately 2,000 cities of all sizes in the United States. Recently, the League reached out to Americans for the Arts to write an article on how the arts can help cities through this time of social and civil change and the need for racial equity and healing. We work with NCL and similar organizations to promote arts and culture at the national level in order to get the attention of elected officials, which allows you, the local advocate, to follow up. In other words, the elected official hears our message from their national association (at conferences, through blog posts, and other channels), and then hears it again from their local residents. This two-pronged approach shows the elected official that the arts are indeed a powerful tool and an organized political constituency.

Like many organizations, the financial impact of COVID-19 forced us to face tough decisions about salaries and employment. When it became clear that ArtsPool might need to implement pay cuts, our decision-making was aided by the previous investment we made in addressing the inequities of our pay structure. As a result, we were able to have difficult but open conversations as a full team about how to come to an equitable solution that takes into account the needs of the organization, as well as the differing circumstances of each individual. We believe these efforts have positioned us to make better, more equitable decisions as an organization during regular operations as well as during times of crisis. While there is no single model for creating an equitable workplace, we offer our transition story as a conversation starter for other organizations who are interrogating their own staffing structures. 

Musical traditions hold a unique power in cultural belonging and identity for the communities and cultures from which they grow. Preservation and performance can be a political act of cultural self-determination, expression, and continuity. The stories, meaning, and sounds embodied by traditional music can gain new power for new audiences and broader communities, when linked to contemporary issues and concerns. The four extraordinary musicians featured in this installment of our blog series celebrating nominees for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities draw upon cultural traditions and sometimes stretch and merge them with other forms to embrace a broader holistic view of culture and humanity. These musicians are: Dom Flemons, American roots ambassador; the Reverend John Wilkins, a bearer of blues-influenced gospel of Mississippi hill country; Christian Scott aTunde Adjuah, a Black Indian and jazz-rooted genre-blind innovator; and Tiokasin Ghosthorse, master player of the ancient red cedar Lakota flute. 

Venus De Mars and Luke Stewart are among the 11 exemplary music artist nominees for Americans for the Arts’ 2020 Johnson Fellowship for Artists Transforming Communities featured in our ongoing ARTSblog series. At different career stages, these artist-activists may be considered by some on the musical fringes. What they hold in common is a steady and deliberate dedication to bringing their communities out of the margins and advancing and improving conditions for them to thrive. As a punk rock singer-songwriter and transgender woman, Venus’ performances, speaking, and compassionate presence have created spaces of affirmation and communion for transgender people and fostered openness and understanding among audiences across the gender spectrum. Luke moves effortlessly between artist communities in jazz, DIY punk rock, and, most of all, improvised music. He uses his improvisation skills to be alert to and advance conditions that will allow musicians across these genres to create, perform, and learn from one another, while expanding appreciation and audiences for their work.