Author(s): Perez, Carmen
Date of Publication: Jan 01, 2015

Developed by CECP, in association with The Conference Board, Giving in Numbers: 2015 Edition is based on data from 271 companies, including 62 of the largest 100 companies in the Fortune 500. The sum of contributions across all respondents of the recent survey on 2014 contributions totaled more than $18.5 billion in cash and in-kind giving. This report not only presents a profile of corporate philanthropy and employee engagement in 2014, but also includes a Trends Summary that highlights the prominent features of corporate societal investment. This is the tenth annual report on

Author(s): Brooks, Arthur C.
Date of Publication: Sep 30, 2002

This article takes the first steps toward characterizing both professional and amateur artists simultaneously and uses General Social Survey data to build probabilistic portraits of active arts participation.

Author(s): The Wallace Foundation Staff Writers
Date of Publication: Nov 30, 2002

This article reports on the renowned, contemporary Walker Arts Center in Minneapolis, Minnesota which provides area teens with creative opportunities through an outreach program that now serves as a model for America's cultural institutions.

Author(s): Ratje, Jeffrey M.
Date of Publication: May 15, 2019

This article points out the positive effects to nonprofit organizations when good customer service is provided by volunteers. Volunteers are often relied upon by nonprofit organizations to interact with possible donors and clients. Volunteers who poorly represent an organization can be detrimental to an organizations brand image. Selection, training, and motivation of a volunteer should be considered as important to the organization as a paid employee.

Author(s): Martinez, J. Michael
Date of Publication: Nov 30, 2003

This article explores liability issues facing volunteer organizations and suggests effective risk management practices that can reduce liability in most instances.

Author(s): Lysakowski, Linda
Date of Publication: Mar 31, 2003

This article examines what volunteers look for in the institutions for which they volunteer, why some organizations are better at recruiting and retaining volunteer fundraisers, what motivates volunteers to get involved in an organizations fundraising efforts, and how an organization can better prepare their volunteers to do fundraising.

Author(s): Boraas, Stephanie
Date of Publication: Jul 31, 2003

This article examines volunteerism in the using data from a special supplement to the September 2002 Current Population Survey (CPS)

Author(s): Manitta, Sharon
Date of Publication: Mar 31, 2001

This article examines some of the drawbacks of the use of volunteers in museums.

Author(s): Gallup Organization; Saxon-Harrold, Susan K.E.; Kirsch, Arthur D.; Heffron, Aaron J.; McCormack, Michael T.; Weitzman, Murray S.
Date of Publication: Dec 31, 1998

These biennial surveys describe how socio-economic conditions and tax laws affect the charitable behavior of Americans. They also chart public attitudes about a variety of issues that affect the climate for giving and volunteering and explore behavioral and motivational factors that influence giving and volunteering.

Author(s): Graham, Margaret
Date of Publication: Feb 29, 2000

The writer discusses the advantages and disadvantages of the practice of volunteering at museums.

Author(s): Devney, Darcy Campion
Date of Publication: Dec 31, 1991

The Volunteer's Survival Manual: The Only Practical Guide to Giving Your Time and Money isn't a book about how volunteers can solve society's problems and heal the world, nor a directory of organizations who are in need of volunteers. Whether you're searching for the right organization, or you're already heavily involved in a long-term volunteer position, The Volunteer's Survival Manual is an everyday handbook for volunteers. My practical approach means to be just that: a realistic guide to the nitty-gritty of contributing your time and money.

Author(s): Nosan, Gregory
Date of Publication: Mar 31, 2003

The role of the Woman's Board of The Art Institute of Chicago in the 1950s and 1960s is examined.

Author(s): Indiana University Center on Philanthropy
Date of Publication: Dec 31, 1995

The proceedings contained in this volume are the fruit of a meeting called by the National Board of Visitors of the Indiana University Center on Philanthropy. It was occasioned by the Board's belief that the leaders of the nonprofit and philanthropic worlds needed to reflect on what will be expected of philanthropy in the public decision to devolve federal responsibilities to lower levels of government and nonprofit organizations and to limit entitlements. We thought such a discussion should be in the context of considering what a previous effort at reflection - The Commission on Private

Author(s): Kuyper, Joan; Hirzy, Ellen Cochran; and Huftalen. Kathleen
Date of Publication: Dec 31, 1992

This book is intended for a diverse audience: museum volunteers, both experienced and new; volunteer program administrators; paid staff who supervise volunteers; elected and appointed volunteer program officers and leaders; and, last but not least, museum directors and trustees. Readers in museums and cultural institutions of all sizes and types - from small historic sites to encyclopedic natural history museums, from community art centers to zoos, from youth museums to botanical gardens - will find useful information in the following pages.

Author(s): American Symphony Orchestra League
Date of Publication: Dec 01, 1970

This booklet is written for the publicity chairman, the public relations chairman, and the advertising chairman of an orchestra or symphony women's association. The first part is a review of the different kinds of publicity that are available without cost to your organization. The second part shows how to get the most out of money you spend on paid avertising. Read all of it, for both parts are related.

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What is BVA?

Business Volunteers for the Arts® (BVA) is a national skills-based management consulting program operated by a network of organizations around the country under the leadership and coordination of Americans for the Arts.  It helps nonprofit arts groups by recruiting and placing specially-trained business executives who assist with distinct management projects.  At the same time, it provides unique leadership development opportunities for business volunteers allowing them to apply and expand their professional skills and gain new perspectives by working outside their field.

Since 1975, thousands of business professionals have helped thousands of nonprofit arts organizations by sharing their expertise and talents on a wide range of consulting projects through BVA.

In 1978, Arts & Business Council, Inc. began to make the highly successful BVA model available to local communities across the United States. Those establishing a BVA chapter became licensed affiliates of the council. Americans for the Arts now serves as the national headquarters for a growing network of partners in local communities, managing their training, communication, and program sharing. This strong network of organizations continues to strive toward the following objectives:

  • To help nonprofit arts organizations improve their business practices
  • To provide rewarding opportunities for business professionals who wish to contribute to their community and become involved directly with the arts
  • To increase business leadership on behalf of the arts
  • Nationally, since the program’s inception, BVA has generated over $134 million in donated services, cash, and other in-kind resources.

How Does BVA Work?

BVA partners in cities around the country recruit and train business professionals to be placed as skills-based management consultants with nonprofit arts groups. Arts groups applying to the program receive an in-depth management assessment by BVA staff to help determine their needs. Trained BVA volunteers are then matched with organizations to complete a clearly defined consultant assignment. Possible projects address all management areas—strategic planning, marketing, information systems, human resources, and financial management.

Why is BVA needed?

Nonprofit arts management is becoming increasingly complex as arts groups deal with changing demographics, marketing and image issues, shifting funding patterns, the opportunity to create partnerships with businesses, new I.R.S. and accounting regulations, and technology. People with the skills and experience to address many of these areas are financially beyond the reach of many chronically understaffed and underfunded nonprofit arts groups. 

BVA provides a personal, hands-on approach to helping arts groups leverage their resources and gain the expertise to address these and many other issues. 

The BVA program also provides unique leadership development opportunities for business volunteers allowing them to apply and expand their professional skills and gain new perspectives by working outside their field. The BVA program increases a sense of community connection for the volunteer and provides resources to arts groups that would ordinarily be out of reach.

How do I establish a BVA program?

  1. The first step to establishing a licensed BVA Program is to conduct a feasibility study, available free of charge, from Americans for the Arts. Complete and return the feasibility study for our analysis. We will then get back to you about any concerns or questions.

(Available by contacting [email protected])
By implementing the proven model developed by Americans for the Arts, local regions or communities can create their own BVA program with assistance from Americans for the Arts. The basic BVA model covers all of the components necessary to establish and sustain a successful program. Program partners also gain access to the many benefits of being part of a national support network.

Yes, there are one-time only start-up fees - $500 for the license fee and $500 for materials. Membership with Americans for the Arts is required and the $250 level is strongly recommended. The fees cover the license to use the name, everything you need (manuals, forms, fundraising letters, etc.) to run the program, and ongoing participation in the BVA national network. We believe that when consideration is given to developing recruitment and screening procedures, writing all of the materials, designing the orientation, creating the assessment procedures, developing promotional materials, and implementing ongoing management procedures, it would cost far more for each community to develop its own program. Beyond this, BVA national network offers opportunities for communication with other program partners, sharing of program ideas, training, contacts with local offices of multi-national corporations that are active in other cities, a national forum for public relations and image-building, and advice and guidance from professionals who have been involved in the program for many years. 
Our tool-kit, Establishing a Business Volunteers for the Arts® Program , provides an overview of what’s involved in building a successful BVA Program.
Also available: on-demand webinar, Strategies on How to Build and Fund Successful Volunteer Programs

How do I recruit and work with volunteers?

Volunteers are a critical component of any arts organization. From ushers to fundraising, to skills-based consulting and board service, volunteers expand the capacity of a nonprofit. Volunteers also create an entry point for establishing a relationship with businesses.

To learn strategies for recruiting and successfully managing volunteers, visit our tool kit: Working with Volunteers.
Also available: on-demand webinar, Building Relationships with Business: The Importance of Volunteers (The pARTnership Movement series)

Volunteer with ABC/NY

Arts clients. Business consultants. ABC/NY matchmaker. For more than 30 years, ABC/NY has identified—and brought together—challenging projects at arts organizations and capable volunteers from the business sector to solve those challenges.

About the Process

The arts client submits an application for assistance with a project, followed by an interview with ABC/NY staff. Free for arts members. The business volunteer consultant submits an application, followed by an interview with ABC/NY staff and by opportunities for orientation sessions.

About the Projects

Project times vary from a few hours to a year. Typically, the volunteer is investing one or two hours a week, in a flexible way that suits his/her schedule. Typical projects can include business and marketing plans, entrepreneurial plans for increased earned revenue, PR/communications, strategic plans, staff/volunteer training, or analysis of financial systems, technology systems, human resource/staffing systems. Some projects are more specialized, (e.g., events, real estate, legal).

BVAs are not expected to become members, subscribers, donors, or trustees of their arts organization, but it is not a surprise that some are asked to join arts boards. Some use the experience to enhance their training for board service. Some use the experience to build their own professional skill sets/portfolios.

Arts Client Application | Business Volunteer Application

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